Sallyann (fruitsuper) and Teresa (muralist), How do you two know each other? Past collaborations?
SALLYANN CORN: We met via JOIN Design years ago. The absolute best part about Seattle is the creative community. It is small and so loving, and everyone eventually connects.
TERESA GRASSESCHI: I used to own and run a stationery business and became a part of Sallyann’s artist collective. She has always been so good at creating community and lifting other makers. I shut down my stationery business a few years ago. It became too much as my freelance career started taking off. We have remained friends throughout the twists.
Describe how fruitsuper’s mural series originated at the start of the pandemic, as well as the process of working with Teresa and any past artists.
SALLYANN: Our first mural was quick, scrappy, vibrant, and we thought it would be super temporary. As in, maybe up for a couple of weeks? Ha! Since our first mural in March 2020, we’ve had six. Our shop is so much more than just retail, and we’ve missed the events we were able to host in the past. This ongoing mural series has been our way of thanking and celebrating our creative community. The best part about all of our murals has been the team effort. Each artist comes with their own vision and methods and we adapt and create them together. We’ve been able to experiment with various media (giant collages, linocut posters, etc.), which makes each one unique. Teresa is a delight to work with; she brings a goofy and honest reality to all of her projects.
Tell us about this winter wonderland mural, and the process of creating it on the storefront?
TERESA: I knew this winter was going to be a different experience and I found myself daydreaming of the ease and joy of winters past - snow days where the neighborhood lines up to barrel down the hill in a laundry basket - fun for the sake of fun. It became my stipulation for the piece, the purity of fun. If the scene didn’t make me grin, I tossed it. The skating rink became my favorite pretty fast. There are hilarity and tenderness to skating that are so pure.
I always create a tight black and white sketch to scale, a color profile, and an execution plan for a mural before I start painting. Most of the work is actually front end, that way I can focus solely on speed and accuracy when I am on site. Transfer and painting took about a week. I set the bar high for myself with complexity and color saturation, but all of it was worth it. I love that piece, it is a small slice of joy and I hope it brings everyone comfort.
How would you describe the role of public art this past year and entering 2021?
SALLYANN: Watching the murals go up throughout the various neighborhoods of Seattle starting in March-April 2020 was incredible. At times heartbreaking and scary but also showcasing the vibrancy and grit that our creative community has to offer. Now, more than ever, public art is the best way to bring us all together during our collective seclusion. Our galleries have been brought outside for all to enjoy.
TERESA: I think in large respect, this past year has cemented the importance of artists in Seattle’s public spaces. Artists have collectively had a rough go of the pandemic. Even though art jobs are the first to be considered unnecessary and chopped, we always show up in force for the emotional wellbeing of our communities. We are quick to create free resources for protests/mutual aid groups, coloring sheets for kids stuck at home, mini outdoor galleries for people to enjoy on walks, hold online concerts and create merch to save music venues, and of course, paint giant murals to make you feel less alone in an empty boarded up landscape. We are essential. It is my hope as the world gets vaccinated and things finally inch closer to normal that this year’s knowledge isn’t forgotten and new opportunities become extended. I would love to see Seattle fund more public mural pieces, maybe join the larger arts culture of creating a recurring public mural festival.
A mural's life is sustained by its community. The first mural I ever did was for Molly Moon’s Wallingford location. It is a little guy in the alleyway. Whenever I’ve stopped in for ice cream since they always gush about how beloved it is to people. When your work becomes an addition to a community’s identity, you’ve really done your job upright. I grew up in Ballard, and our local video store, Rain City video, had this mural on the side, a silhouette of a 50's family watching tv, and above it a banner of text that read ‘never a cloudy day’. It became a real symbol of home for me. Since the business shut down last year, I’ve actively avoided that street- I don’t ever want to find out if the mural got painted over. It lives rent-free in my brain’s definition of home forever.